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France : +33 (0) 1 42 14 20 00 (9am - 5pm)
Luxembourg : +352 47 93 11 1 (8:30am - 6pm)
Monaco : +377 97 97 58 00 (9/12am - 2/5pm)
Switzerland : Geneva +41 22 819 02 02
& Zurich +41 44 218 56 11 (8:30am - 5:30pm)

You would like to contact about the protection of your personal data?

Please contact the Data Protection Officer of Societe Generale Private Banking France by sending an email to the following address : protectiondesdonnees@societegenerale.fr.

Please contact Bieneke Russon, the Data Protection Officer of Societe Generale Bank & Trust Luxembourg by phone : +352-47.93.93.11.5046 or by sending an email to the following address : lux.dpooffice@socgen.com.

Please contact Julien Garnier, the Data Protection Officer of Societe Generale Private Banking Monaco by sending an email to the following address : list.mon-privmonaco-dpo@socgen.com

Please contact Omar Otmani, the Data Protection Officer of Societe Generale Private Banking Switzerland by sending an email to the following address : sgpb-gdpr.ch@socgen.com.

You need to make a claim?

 Any claim addressed to Societe Generale Private Banking France should be sent by e-mail to the following address : FR-SGPB-Relations-Clients@socgen.com or by mail to : 

Société Générale Private Banking France
Direction Commerciale
29 boulevard Haussmann CS 614
75421 Paris Cedex 9

The Bank will acknowledge your request within 10 days after receipt and provide a response to your claim within 60 days of receipt. If your request requires additional processing time (e.g. if it involves complex researches…), the Bank will inform you by mail. 

In the event that the response you receive does not meet your expectations, we suggest to contact : 

 

The Societe Generale Group’s Ombudsman

The Societe Generale Group’s Ombudsman can be contacted by the following website : mediateur.societegenerale.fr  or by mail :

Le Médiateur auprès de Société Générale
17 Cours Valmy 
92987 PARIS LA DEFENSE CEDEX 7
France

In reviewing any matter, the Ombudsman undertakes the consideration of both the client’s and the bank’s point of view, evaluates arguments from each of the parties and makes a decision in all fairness.

The Group’s Ombudsman will respond to you directly within two months of receipt of the written submissions of the parties relating to the claim.

 

The Ombudsman of the AMF

The Ombudsman of the Autorité des Marchés Financiers (AMF) can be contacted at the following address :

Médiateur de l'AMF, Autorité des Marchés Financier
17 place de la Bourse
75082 PARIS CEDEX 02
FRANCE


The Insurance Ombudsman

Please contact the Insurance Ombudsman : contact details must be mentioned in your insurance contract.

To ensure that your requests are handled effectively, any claim addressed to Societe Generale Bank & Trust should be sent to:

Private banking Claims department
11, Avenue Emile Reuter
L-2420 Luxembourg

The Bank will acknowledge your request within 10 days and provide a response to your claim within 30 days of receipt. If your request requires additional processing time (e.g. if it involves complex research), the Bank will inform you of this situation within the same 30-day timeframe.

In the event that the response you receive does not meet your expectations, we suggest the following :

Initially, you may wish to contact the SGBT Division responsible for handling claims, at the following address:

Corporate Secretariat of Societe Generale Bank & Trust
11, Avenue Emile Reuter
L-2420 Luxembourg

If the response from the Division responsible for claims does not resolve the claim, you may wish to contact Societe Generale Bank & Trust's supervisory authority, the Commission de Surveillance du Secteur Financier (Financial Sector Supervisory Commission) :

By mail: 283, Route d’Arlon L-1150 Luxembourg
By e-mail:direction@cssf.lu

 Any claim addressed to Societe Generale Private Banking Monaco should be sent by e-mail to the following address: servicequalite.privmonaco@socgen.com or by mail to our dedicated department : 

Societe Generale Private Banking Monaco
Middle Office – Service Réclamation 
11 avenue de Grande Bretagne
98000 Monaco

The Bank will acknowledge your request within 2 days after receipt and provide a response to your claim within 10 days of receipt. If your request requires additional processing time (e.g. if it involves complex researches…), the Bank will inform you of this situation within the same 30-day timeframe. 

In the event that the response you receive does not meet your expectations, we suggest to contact the Societe Generale Private Banking Direction that handles the claims by mail at the following address : 

Secrétariat Général de Societe Generale Private Banking Monaco 
11 avenue de Grande Bretagne 
98000 Monaco

Any claim addressed to the Bank can be sent by email to: sgpb-reclamations.ch@socgen.com
Clients may also contact the Swiss Banking Ombudsman : www.bankingombudsman.ch

2021 Marcel Duchamp Prize: meet the winner, Lili Reynaud Dewar

Lili Reynaud Dewar was born in 1975, in La Rochelle. She lives between Grenoble and Geneva. She was one of the four nominees for the Marcel Duchamp Prize 2021 and won it. Exclusive interview by our expert Laurent Issaurat.

The Marcel Duchamp Prize was created in 2000 on the initiative of the ADIAF ("Association pour la diffusion internationale de l'art français"), to highlight the creative abundance of the French art scene, and has been supported by Societe Générale Private Banking for several years. Its aim is to distinguish the most representative artists of their generation and to promote internationally the diversity of practices currently at work in France. Meet the 2021 winner, Lili Reynaud Dewar.

How would you describe your current practice in terms of preferred media and themes?

I spent around five years producing films as part of a team, and with lots of actresses and actors. The films have the common theme of presenting and putting into images discussions, debates, disagreements and utterances — often improvised — between protagonists which address crucial questions in the contemporary world: cultural appropriation in Teeth Gums Machines Future Society filmed in Memphis, Tennessee, 2016; the role of art in phenomena such as landscape gentrification and modification in Beyond The Land of Minimal Possessions filmed in Marfa, Texas, 2018; the rise of populism and violence, and the hardening of political tensions with the film presented for the Rome Marcel Duchamp Prize, 1er et 2 Novembre 1975, filmed in Rome and Japan in 2019, in which actresses and actors take turns playing Pier Paolo Pasolini’s last interview. 

Images credits: TEETH, GUMS, MACHINES, FUTURE, SOCIETY, Film, 2016 / film HD, color, 35'59'' / With Jada Brisentine, Darius Clayton, Henry Coleman, Ashley Cook, Hendrik Hegray, Brandon Sams / Produced by Olga Rozenblum for Redshoes / Courtesy of the artist, Clearing, Brussels & New York, kamel mennour, Paris, Emanuel Layr, Vienna

What pieces (or series of pieces) best epitomise your work, or are particularly meaningful to you?

In parallel to these films involving big teams, a director of photography, a sound editor, a script, all the post-production, and a huge amount of dialogue, I’ve been doing a lot more solitary and silent work for the last ten years. They are silent videos that I film wherever my work is shown. I dance and film myself alone in empty museums and art centres. It’s about establishing a dialogue, embodying a confrontation or conflict with these places, except with very different means. So far, I've produced around fifty, and I plan to continue for as much time I have to exhibit — these films bear witness to the passage of time on my body, but also on the exhibitions of a given time, both mine and ours.

Image credits:  Beyond the Land of Minimal Possessions Single channel film, HD, color, 81 minutes / With  Lili Reynaud-Dewar, Bianca Benenti Oriol, Joana Castilhos, Yannis Christ, Thomas Liu Le Lann, Trystan Matthey, Arttu Palmio, Claire Van Lubeek, Chad Dawkins, Dorothée Dupuis, Peter Friel, Heyd Fontenot, Laurent Schmid, Michael Smith, Ida Soulard, Ramaya Tegegne, Martha Wilson, Mireille Rias, Sandro Canovas / Camera: Victor Zébo; Sound: Laurent Schmid; Editing: Nicolas Bacou; Music: Nicolas Murer; Make-up : Trystan Matthey; Special effects: Hugo Scibetta / Produced by Head Geneva and Olga Rozenblum for Redshoes with the support of Artpace San Antonio and the French Institute in Texas, Fieldwork Marfa and Fondation d’Entreprise Hermès.

Tell us about a source of inspiration that has been important in your journey (an encounter, a lecture, an event, etc.). 

The work of the Afro-American artist Adrian Piper, namely Untitled at Max Kansas City, 1970. It’s a youth performance in which she walks around a bar which at the time was very hip in the New York art scene. A mask over her eyes and her hands gloved in black leather, she tries to isolate herself from the glamorous, social context of the art, and shield herself from influence. I love the passive-aggressive, even snobbish, side of this extremely simple work that gives visibility to the artist’s social and collective construct. The artist is a product of a specific context. Yet seeking to transgress this obvious fact through ways of being and living is what I find crucial.

Can you give us a few words on your project for the 2021 Marcel Duchamp Prize?

It's a number of films mirroring one another and executed using a repetition that I quite like. I started brainstorming the idea in 2018, began filming on the first of January 2019 in Rome at Villa Medici, and continued into September in Okayama as part of Pierre Huyghe’s exhibition If the Snake. The editing began soon after the start of filming and ran until summer this year, as there are thousands of possibilities for this choral film that involves 24 of my friends, former students, work contacts, family members and loved ones. Taking an open cue from a biopic by Abel Ferrara, one of my favourite directors, I asked each of them to take turns embodying the roles of Pier Paolo Pasolini and his young lover Pino Pelosi, who admits to his murder before retracting his admission decades later. I also directed long biographical interviews with the actresses and actors. They will be presented as part of the installation at the Centre Pompidou in Paris in the form of individual booklets that visitors can read in situ or take home.

Image credits: I Want All Of The Above To Be The Sun (Dancing With Myself), 2018 / Video, color, HD, 15’40’’ / Pinault Collection.

Where will you be exhibiting after the Marcel Duchamp Prize?

My next exhibition will be at Hôtel des Collections de Montpellier in March 2022. I’ll be screening a film that was created collectively, called Gruppo Petrolio. It is a fifteen-hour film broken down into episodes showing groups of young people preparing actions against emblems of ecocidal capitalism targeting industry and technology in Grenoble — a model science and technology hub. The inexperience and failures of the characters have a comic effect in the film, but one that is also esoteric and at times opaque. We see the protagonists mobilise during the reading of Pier Paolo Pasolini’s work Petrolio. Published posthumously, Petrolio is a novel made up of entirely disparate fragments that move from fable to investigative journalism to erotica. It is the story of Carlos, an engineer working in oil research, who has an erotomaniac split personality. He and his double cross 1960s and 1970s Italy, its political tensions and attacks, its economic boom, and the ensuing changes to nature and the landscape in particular. In this way, Petrolio is a harbinger of the current struggles around ecology. Over the course of the story, both Carlo and his double transform to become a woman, and then a man again, and go on a kind of initiatory journey within what we know Pasolini saw as a deadly modernity.

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Laurent Issaurat